Saturday 31 December 2016

Representation of Age: Waterloo Road


Representation of age: Waterloo Road

In the BBC series, Waterloo Road, there is a clear representation of age. This is due to the portrayal of both middle-aged teachers and teenage students. The adults are stereotyped as being stern, bossy and respectable with more authority. Whereas, teenagers are presented as being dramatic, judgemental, rebellious and cool yet they are powerless in comparison.

At the beginning of the scene, we are presented with an insert shot of Mr Budgen's feet walking into the room through the chair legs and then a medium shot of two teenage students trying to hide something. This itself, is already a representation of age as it shows the authority the adult teacher has walking into a room and how anxious they can make younger people feel. Also it shows the stereotype of teenagers always being up to no good, as the two boys are clearly scared that they are going to get in trouble. The diegetic sound of the teachers footsteps is used to build up a bit on tension for the audience, indicating a more important character is about to appear in the scene. This is played alongside the diegetic sound of the two teenage boys whispering, obviously doing something they shouldn't be doing. the editing in this segment is continuous, this is so it feels as though we, as the audience, are there and are able to follow the storyline. Also, Mr Budgen's is wearing a smart, pulled-together looking outfit including a blazer, shirt and tie. This contrasts with the two teenagers' scruffy looking uniforms which look as though they have tried to be rebellious by making them their own using hoodies and cardigans.

Further on in the extract, a variety of master shots and over-the-shoulder shots are used. These shots are edited together using the shot-reverse-shot technique to make the audience feel as though they are part of the conversation and to view the characters who represent stereotypical middle aged man in contrast with the two teenage students. It also demonstrates the dialogue exchanged between characters. The two teenagers attempt to cover up their guilty act however the teacher out smarts them with the sarcasm. The director has included the middle aged teacher out-smarting the younger students. Again, this follows the stereotype that, in contrast with the teenagers, adults are often intelligent and smart. In addition - at first glance, the teacher is presented to be smartly dressed. However, throughout the clip the audiences attention is often drawn to the knitted cardigan worn underneath his suit. Typically this item is thought to be unfashionable and presents the middle aged man as though he is going through a mid-life crisis and is very uncool.



In the middle of the extract, a crab left shot is used to introduce the two new characters to the scene. Using mise en scene, the audience can immediately see the difference between the representation of the older character, the teacher, in contrast to the two younger character via their costumes. Cut editing is used to present the student and the teacher engaging in conversation. An establishing shot is then used to introduce a new area of the school and a new scene. This goes along with diegetic sound of voices mumbellig in the background, this makes the audience to feel engaged in the scene. With mise en scene, the three characters are portrayed as being common, chavy teenage stereotypes. Key features such as short skirts, loose ties and hoodies over uniforms are used to represent how rebellious and careless teenagers are. A way the teenagers are presented as being common and less intelligent is through sound. During dialogue, the audience can hear the colloquial expressions and informal language used by the teenagers in contrast with the more formal, well-spoken sounding, adult teachers.


Thursday 24 November 2016

Previous Exam Questions

Audience and Institution Questions
January 2010 
“Media production is dominated by global institutions, which sell their products and services to national audiences”. To what extent do you agree with this statement?

June 2010 
What significance does the continuing development of digital media technology have for media institutions and audiences?

January 2011
Discuss the issues raised by media ownership in the production and exchange of media texts in your chosen media area?
June 2011
“Successful media products depend as much upon marketing and distribution to a specific audience as they do upon good production practices”. To what extent would you agree with this statement, within the media area you have studied?

January 2012 
To what extent does digital distribution affect the marketing and consumption of media products in the area of media you have studied?

June 2012
"Cross media convergence and synergy are vital processes in the successful marketing of media products to audiences." To what extent do you agree with this statement in relation to your media area? 

January 2013
What impact does media ownership have upon the range of products available to audiences in the media area you have studied?

June 2013
Evaluate the role of digital technologies in the marketing and consumption of products in the media are you have studied.

June 2014
The increase in hardware and content in media industries has been significant in recent years. Discuss the effect this has had on institutions and audiences in the media area you have studied.

Piracy

Piracy Article

Hypothetically, two movies come out on the same day: The Wolf of Wall Street and the new Transformers. You are allowed to see one in an IMAX theater and you will illegally download the other one online. Most people would choose Transformers over The Wolf of Wall Street due to the fact that there are robot dinosaurs and everyone else is going to see it in theaters. Those robot dinosaurs will look a lot cooler in a theater rather than on a laptop. Many people then realized how lacking the movie really was after walking out of their local theater’s showing of Transformers: Age of Extinction. Meanwhile, many of the same people went on to watch The Wolf of Wall Street online to realize that it was actually a really good movie. Most people don’t realize that this is at all a problem, and at first glance it’s not. However, after more in-depth research, the problem soon becomes apparent. Transformers: Age of Extinction only gained an 18% rating on Rotten Tomatoes (Transformers, Rotten Tomatoes), one of the most critical and most trusted film-review sites online. The Wolf of Wall Street, however, gained a 77% rating on the same site (Wolf of Wall Street, Rotten Tomatoes). It was also nominated for five different Academy Awards. The Wolf of Wall Street is clearly the better film. Yet, besides the fact that Transformers was clearly not a great film, it somehow managed to be named the highest grossing film worldwide of 2014 and earned over one billion dollars in the Box Office (2014 Worldwide Grosses). The Wolf of Wall Street went on to be the most pirated film of 2014 with over 30 million illegal downloads (Spangler, 1) and didn’t even gross $117 million, giving the producers and the studio under $17 million after the production cost, which is not a much of a profit at all for such a high-budget film.


Piracy has become more of a problem in the past decade than it ever has before, specifically movie piracy. In fact, a study from Columbia University came out recently that said at least 45% of US citizens pirate movies actively, but that number bumps up to 70% if you include the younger demographics as well (Mick, 2). This act of pirating is growing more and more common every year and most people do it mindlessly, not realizing what it costs. Everyone has seen the text at the beginning of movies saying “Piracy is not a victimless crime,” and this is completely true. Piracy is extremely harmful to the movie industry and its effects are larger than anyone could imagine.


But Where Do These Pirated Movies Come From?
There are many different ways that people pirate movies. One of the most classic ways people pirate is by “leaking” them. This involves a person going into a movie theater with a camera or a phone and recording the movie as it plays. It is usually a poor quality, but many people still download these recordings anyways instead of going to see it in a theater. This usually occurs when it is only in theater since that is the only version most people are able to see. Sometimes these leaks occur before the movie is even premiered, often because it is filmed during a special premier before the opening night. This is referred to as a pre-release, and they tend to result in a 19% decrease in how much the movie makes at the Box Office (Hart, 2). Many people defend pre-releases because it gives a movie more publicity so more people would want to see it, but the facts state otherwise. Leaking a movie that’s in the theaters always tends to decrease how much the movie makes regardless of when it is released and sometimes even leads to the movie not even making as much as there was put into it.


One of the other common ways for a movie to be pirated is for it to be digitally hacked. This one has become more common lately as technology improves. One of the most extreme and recent examples was the Sony hacking. Though some people will claim that Sony faked the hacking, evidence shows that they were legitimately hacked. During this hacking, many of Sony’s movies were released illegally online, such as Annie and Fury (Note: Annie had not even been released yet). A hacking involves someone digitally cracking into the studio or company’s computer system and taking the movie from their files. This logically would actually decrease a movie’s Box Office revenue by even more than someone’s recording of the movie would because it’s a better quality.


There are more ways to watch a pirated movie other than just downloading it online. In fact, some people tend to start their own pirating businesses. It’s very inexpensive and easy for a person to start one of these businesses. More recently, people only need to buy a bunch of blank DVD’s, the same amount of DVD cases and a computer that can burn a DVD. From there, they must find a source to get the pirated movies from. Sometimes they will personally film them in a theater, or find a hacked or leaked version online and download it. After that, all they need to do is download the stolen films onto their blank DVD’s and sell them to anyone who is willing to purchase it. Within a short amount of time, this person has made a great deal of money that should have gone to the movie studios.


What Kind of Effect Does it Have?
Most people would just say that pirating has a small effect on the industry and that the studios already have enough money. They believe watching a movie online isn’t going to hurt anyone. The Motion Picture Association of America looked into this belief and discovered that piracy costs around $20.5 billion annually in the United States alone (Plumer, 2). In fact, a study back in 2005 estimated that a 10% decrease in worldwide piracy, including both film and music, over the course of four years would add 1.5 million jobs, $64 billion in taxes and $400 billion in economic growth (Kai-Lung). That, however, was ten years ago and is outdated. Those numbers are likely to be much higher today due to inflation and an increase in popularity of the film industry. This means that the studios are making much smaller amounts of money than they should be making from their films due to piracy.


Quit Talking Numbers. How Does it Effect My Movie Experience?
The decrease in money from studios will often decrease the quality of other movies and even sequels, but more often it will decrease the quantity. A studio is much more likely to throw all of their money into the next big franchise sequel than give half of it to the franchise and the other half to a movie like Twelve Years a Slave simply because Twelve Years a Slave won’t sell as well in theaters as the franchise movie will. Movie studios and production companies don’t look at reviews and DVD sales nearly as much as they look at the Box Office Revenue, or how much it makes in the theater.
In many cases, piracy of a film will even damage the likeliness of a franchise sequel. For example, the Kick-Ass movies came to an end due to lack of funding from piracy. According to ChloĆ« Grace Moretz who stars as “Hit-Girl” in the series, Kick-Ass 2 was one of the most pirated films of 2013 despite having an extremely low Box Office Revenue (Highfill). Because of this, the plans for the third movie in the series have been cancelled. Whether or not you like the Kick-Ass series, it is clear that piracy has become a serious problem and will only continue to damage the film industry.


What About New Movies That Aren't Franchises Yet?
It is not franchise movies that need to be worried about, though; it is the movies by the independent filmmakers. Due to the increase in film piracy, production companies and movie studios are now much less likely to loan money out to an independent filmmaker with an idea than they are to a team of writers and producers working on a Harry Potter spin-off. When people think of the term ‘independent filmmaker’, they think of a man in his 20’s with an Associates Degree in Theatre that wrote a screenplay in two weeks. Though these people are independent filmmakers, I refer to the higher kind of independent filmmakers that actually make Oscar nominated films, but take out enormous loans to do so. Now, due to piracy, no matter how many Oscars their movie is nominated for, many filmmakers are having to foreclose their houses or take out further loans from a bank to make up for the losses in the Box Office for their film due to piracy. It also means that the studios do not get their money back that they invested with and therefore stop funding films without promises of success like Birdman or The Theory of Everything, both of whom won Oscars this year.
Now Let's Think More Economically...
The loss of money affects more than just the filmmakers and studios, however. It helps the entire economy grow due to tax and job increase. Pirating less films will mean that the studios will get more money, which leads to more movies, which employs people like hairdressers, electricians, actors, costume designers and countless other occupations. This will add more jobs to the United States and will also add more tax money to help the country.


But Is It Really Stealing?
Many people argue that piracy is not illegal because they are not technically stealing anything. Though they are not physically taking away anything from anyone, they are stealing intellectual property. Just because you can’t hold a movie file in your hands does not mean that it is not someone’s property. Downloading a film online is the equivalent of stealing a movie from a movie store. It may not come in the same fancy case as a movie at the store, but it still carries the same contents. By pirating a film, you are stealing the money that should have been paid had you watched the movie legally. You do not have a right to watch whatever movies you want to watch without having to pay for them just as I do not have a right to walk into the local Dollar General and eat their candy bars without paying first. As much as people may argue it, film piracy is stealing. It is not your property, so it is not yours to take without paying for it first.


Going Back to my Original Example at the Beginning of All of This...
The Wolf of Wall Street was 2014’s most pirated movie with over 30 million piracies worldwide. Let’s do the math to see how much money piracy actually robbed this movie of had these people gone to see it in a theater instead. In 2014, the average price of a movie ticket in the United States was $8.17 (Linshi, 1). When a person goes to see a movie in the theater, the money spent on the ticket goes to two different places. It is split between the movie studio and the movie theater, with more going to the theater the longer the movie has been out (Campea). For the purposes of now, let’s average that overall the theater and the studio would each get 50% of the ticket price. Now for the part with the actual math. If each illegal download of The Wolf of Wall Street, which more specifically evens out to around 30,035,000 downloads (Spangler, 1) equals one movie ticket that costs $8.17, and the movie studio only gets half of the amount from each movie ticket, that results in about $122,692,975 that was robbed from Paramount Pictures for just that one movie. That amount stolen was more than the movie actually made in the Box Office, and that is assuming that only one person watched each illegal download. Several of those downloads were most likely copied onto multiple different blank DVD’s and given out to others to watch illegally. That is even more money that was robbed from The Wolf of Wall Street. In the Box Office, the movie barely broke even out of how much they spent making the film. These numbers would have helped the studio, the filmmakers and the crew a lot more in order to make even more Oscar nominated movies. Unfortunately, these thirty million people seemed to overlook that.


Now the Real Question: How Do We Stop Piracy?
It all starts at home, just like it takes a spark to start a fire. Many people argue that “everyone is watching movies illegally online, so why is it different if I do it?” Well the same argument could again go for people that steal candy bars from a store. It may cost more than you like and others may do it, but it is not your property to steal. Like voting, if just one person takes a stand against piracy it will make a difference. Simply quit pirating movies or watching them online. There are many different excuses people use about watching movies online illegally, but it does not override the fact that it is illegal. Even streaming movies online is illegal if it is not authorized by the studio that made the film. If you aren’t willing to pay to watch the film, you aren’t allowed to watch it. This is the way the industry works.


What Can The Theaters Do?
A way for movie theaters to prevent piracy is to change their types of projectors. In the past, the government came up with a way to prevent the filming of a movie in the theaters. They did this by projecting an infrared spectrum over the projected film. This infrared image was not visible to the audience, but it would make the video on the camera someone brought into film the movie into a very low quality that would make the video almost unbearable to watch. Since then technology has improved to attempt to improve the quality of the filmed video regardless of the infrared. Though this has worked to an extent, film pirates have not yet fully recovered from the addition of the infrared. Only more research will be able to help improve the projectors so that this does not happen anymore.


What Happens if Someone gets Caught?!
When it all comes down to it, one of the major reasons you should avoid pirating movies is that its an enormous risk. Since it is illegal, there are certainly punishments for those that choose to break this law. These punishments are severe. For example, if a person is convicted of a misdemeanor in piracy, as in they only downloaded or uploaded a small amount of movies without the owner’s consent, the person would be punished with up to a year of prison time and would have a fine of up to $100,000, depending on the extent of the piracy. That, however, is just for a small offense. For someone that downloads or uploads movies illegally without the owner’s consent in large amounts will be charged with a felony. The punishment of this crime is up to 5 years of imprisonment and up to $250,000 in fines. The fine, though, can be more. In some cases, the fine is set as double what the person gained for pirating the films if they made money off of it, or it set as double the amount of money the person cost the studios he or she stole from (AlanS). In any of these cases, it is clear that movie piracy is not worth the risk.


Piracy is Clearly an Enormous Threat
Filmmakers are in danger of losing their jobs and the movie theaters are in danger of only showing films like Transformers sequels and Terminator reboots. Helping the film industry does not just entail not illegally watching a movie, it also entails going to see those movies in a theater to reverse the mistakes made by those who don’t realize the consequences. Some of the greatest films do not get the proper credibility in the theaters because people are too distracted by other films or because people would think it’s smarter to illegally watch it on their computer than paying to see it in a theater. As stated earlier, this has many more consequences than these people would think, such as taking away jobs, taking over $20.5 billion from the US film industry and decreasing both the quantity and quality of the very movies they are downloading. In addition, is it really worth spending five years of your life in prison just because you didn’t want to pay to watch a movie? It’s time to stop pirating and to stop making excuses for watching a movie illegally online. Film is a form of art. People use it to tell their stories.

Disney as a Conglomerate

Disney is a conglomeratemedia conglomeratemedia group or media institution is a company that owns large numbers of companies in various mass media such as television, radio, publishing, movies, and the Internet. Media conglomerates strive for policies that facilitate their control of the markets across the globe.

Disney owns
  • Walt Disney Studios
  • Buena Vista Home Entertainment
  • Walt Disney Motion Pictures Group:
  • Touchstone Pictures
  • Pixar Animation Studios
  • Lucasfilm
  • ESPN
  • ABC Entertainment Group
  • Marvel Entertainment
  • Disney Music Group

The media industry is dominated by 'The Big Six'



Just how dominant are 'The Big Six' studios?


How many independent films can you spot?


Why might conglomerates be seen as a negative?

Global conglomerates can at times have a progressive impact on culture, especially when they enter nations that had been tightly controlled by corrupt crony media systems (as in much of Latin America) or nations that had significant state censorship over media (as in parts of Asia). The global commercial-media system is radical in that it will respect no tradition or custom, on balance, if it stands in the way of profits. But ultimately it is politically conservative, because the media giants are significant beneficiaries of the current social structure around the world, and any upheaval in property or social relations—particularly to the extent that it reduces the power of business—is not in their interest.— 

Robert W. McChesney, The New Global Media; It’s a Small World of Big Conglomerates, The Nation Magazine, November 29, 1999

Wednesday 23 November 2016

Ex_Machina Marketing

Ex_Machina Research

Ex_Machina obviously didn't have quite as much money to splash out on marketing like Star Wars did but this does not mean that their marketing techniques were any less effective. Ex_Machina took a different approach to Marketing where they directly interacted with their audience - this was very clever.

Tinder and Instagram
With Tinder, Ex_Machina did a mini Turing test on their near by audience. A photo of Ava would show up on their account saying she was close and they'd be give the option to swipe; if they swiped one way, then she would never be seen again however, if they swiped the other way (which of course most people did) then they would be given the option to send Ava a message. Those who went to message Ava would then get a message back immediately, asking whether she could get to know them. They would then go on to answer a series of questions and at the end Ava would tell them that they had passed her test and that they should check out her Instagram account @meetava where they would actually just come across a promotion site for the film and realise it was all just a marketing scheme. This annoyed a lot of people who took part as they were pretty much humiliated and would of course been pretty upset to hear that this lovely girl they thought was into them wasn't even real...


Theorists Research


Alvarado's Racial Stereotypes theory

His theory is that stereotypes regarding race, can be presented in four different ways.

  1. Pitiful - Some certain racial groups are often presented as being powerless, poor and victims of poverty. A typical example of this is when adverts and documents are released that raise awareness for the African children who are suffering form poverty and starvation. The impression that this gives to the audience causes them to feel pity ad want o help them.
  2. Dangerous -  Certain characters in film and TV can often be presented as dangerous. For example, a person from a certain racial background could play an antagonist in a TV drama, this means that the audience will associate that ethnical group with evil acts.  
Tessa Perkins

 Perkins's theory is that stereotypes are not all that simple. They can often be challenged and they are not a simple process. So she came up with five different generalisations that could be challenged or considered as 'wrong':
  1. Stereotypes are not always negative. e.g The french are good cooks
  2. They are not always about minority groups or the powerless. e.g "Upper class twits"
  3. They can be held about ones own group.
  4. They are not rigid or unchanging.
  5. They are not always false.  
Earlier this year we completed a textual analysis on a clip from Hotel Babylon where we focussed on the representation of ethnicity. With in the clip there are a lot of negative stereotypes which are typically aimed at the migrant workers, such as they are uneducated, powerless, from a lower class and have poorly paid jobs. There is no evidence of positive stereotypes in the sequence that we have studied there is no evidence of positive generalisations. In the clip the migrant/police officers are presented through mise en scene as being the antagonists. This is a stereotype that White people, who are a majority as it is a British TV series, can be mean spirited and unsympathetic to those in a worse situation to them. This demonstrates that stereotypes are not always aimed at minority groups.

Leon Festinger

Festinger is responsible for the theory of 'cognitive dissonance'. The human race often stereotype due to the way that the media portrays certain groups of people in a certain. However we are inquisitive beings that are desperate to prove every theory and idea. Therefore we like to justify the generalisations that we have of a certain group of people. This is the theory of 'cognitive dissonance' which is where we seek out conformation of out beliefs and that they are not usually changed unless we are faced with overwhelming evidence.
This can often explain why TV dramas similar to Hotel Babylon are so popular. Generalisations play such a huge role as there is diverse representation between groups. People enjoy seeing there stereotypes justified in the media particularly film and TV.

Wednesday 16 November 2016

Star Wars Marketing

Star Wars Marketing

Star Wars: The Force Awakens has had its fair amount of marketing; from BB8 oranges to lightsaber BBQ tongs, they went all-out on the marketing front and it is no surprise that they were so successful. Here's a few examples of the extent the Star Wars marketing team went to, to get the word out:
Websites
If you Google Star Wars websites you will notice that there is a crazy amount of fan clubs and news pages (just about Star Wars news) and companies, which sell Star Wars themed products, like Lego. These websites go on for thousands and thousands of pages and altogether there was 94,000,000 results.

Facebook
You might notice the little Facebook icon in the picture below, this is a button you can press that will take you to the Star Wars Facebook page, which will then take you to the masses of Facebook fan pages and clubs. On these, Star Wars obsessed fans post news and predictions about the saga, stating how much the adore it and sharing inside jokes that only 'true fans' would understand.

A really good marketing technique Star Wars used to promote the new Force Awakens film was giving Facebook users the option to put a lighsaber on their profile picture. This really got the word around about the movie and was a very fun, clever marketing scheme.

Twitter
The Star Wars Twitter page is crazy. The have 2.47million followers and post almost by the hour. This is a really effective marketing technique as it allows the fans to have daily (or even hourly) updates; keeping them interested. Not only this but there is thousands of them when you add all of the fan pages and its not like there is just one official page; there's also @StarWarsUK and @EAStarWars, both of which have thousands of followers.


Trailers
Trailers are the marketing technique that majority of film producers like to adopt. Some just do one official trailer that gives a little summary of what's to come in the upcoming film and makes viewers intrigued whereas, some bigger film companies, who are producing sequels and prequels, tend to give teasers away first before launching the official trailer to get fans (who the company already have) hyped up for the new movie. Star Wars was obviously already very well-known, so when The Force Awakens came out, they knew they needed to get the fans really excited and intrigued about what was going to happen in the newest episode. They first did this by releasing a teaser trailer on 28th November. This really didn't reveal a lot; the Star Wars theme tune was played as several images form previous Star Wars episodes were shown but didn't give anything away, this was actually a very clever because it sparked a lot of conversation on social media about what could possibly happen in the upcoming film. There was another released in April the following year, which gave a little more away. Nothing massively but it did show some clips of old and new characters which gave the audience even more excitement. Finally the last full-length trailer was launched on the 19th October this showed a couple of glimpse of the movie and gave away a few hints. This trailer managed to get a whopping 95million views on YouTube and definitely helped their success.


Tuesday 15 November 2016

DNA Films

  1. Who were the co-founders of DNA Films It was founded by chairman Duncan Kenworthy but is also ran by co-chairman Andrew Macdonald and his production partner Allon Reich.
  2. When was the company founded? The company was founded in 1983 but set up in 1997.
  3. Where is DNA based? They are based in London, England. 
  4. How many films have DNA Films produced? Altogether, they have produced 21 films.
  5. What awards have DNA Films won? they have won over 36 awards with over 24 nominations from various award ceremonies, including an Oscar, a BAFTA, Golden Globes and European Films Award.
  6. How many full time staff does DNA Films employ? 1-50
  7. What is DNA Film's philosophy?
  8. List 5 box-office hits that DNA Films have made. Love Actually, The Last King of Scotland, Ex_Machina, 28 Days Later, 28 Weeks Later
  9. List 5 flops that DNA Films has made. Amelia, Never Let Me Go, Dredd, Sunshine and Beautiful Creatures.
  10. What is Danny Boyle's relationship with DNA Films? is an English film director, producer, screenwriter and theatre director, known for his work on films including Shallow Grave, Trainspotting, The Beach, 28 Days Later, Sunshine, Slumdog Millionaire, 127 Hours, and Steve Jobs. You may notice, a couple of these films are also DNA films (28 Days Later, Sunshine and the sequel of Trainspotting).
  11. List 3 famous directors that DNA Films have worked? Danny Boyle, Richard Curtis and Pete Travis
  12. List 5 famous actors who have starred in films made by DNA Films ? Oscar Isaac, Domhnall Gleeson, Hugh Grant, Liam Neeson and Kiera Knightley
  13. What has been DNA Films highest on grossing film?
  14. What Hollywood studios have DNA Films worked with?
  15. List two of DNA Films big blockbuster films and find out their budgets.
  16. What film is DNA Films most famous for? Love Actually
  17. What other genres do DNA Films films like to make?
  18. Who have DNA Films entered into a partnership with for DNA TV Limited?
  19. What information can you find out about DNA Films through their web page?
  20. Find out one other interesting fact about DNA Films that you would like to share with the class.

Monday 7 November 2016

Ex_Machina Research


Ex_Machina (2015) Directed by Alex Garland



 

Producer: - Andrew Macdonald

     - Allon Reich

 

Director: Alex Garland

 

Distributor: Universal Pictures

 

Cast: Alicia Vikander as Ava

   Domhnall Gleeson as Caleb Smith

   Oscar Isaac as Nathan Bateman

   Sonoya Mizuno as Kyoko

   Symara A. Templeman as Jasmine

   Elina Alminas as Amber

   Gana Bayarsaikhan as Jade

   Tiffany Pisani as Katya

   Claire Selby as Lily

   Corey Johnson as Jay the helicopter pilot

 

Budget: $15 million

 

Locations: was shot over four weeks at Pinewood Studios and two weeks at Juvet Landscape Hotel in Valldalen, Norway.

 


Technology: The film was shot like ordinary live action. There were no special effects, green screen, or tracking markers used during filming. All effects were done in post-production. To create Ava's robotic features, they filmed the scenes both with and without actress Alicia Vikander's presence, which allowed them to capture the background behind her. The parts they wanted to keep, especially her hands and face, were then rotoscoped while the rest was digitally painted out and the background behind her restored. Camera and body tracking systems transferred Vikander's performance to the CGI robot's movements. In total, there were about 800 VFX shots, of which 350 or so were robot shots. Other visual effects were Ava's clothes seen through the transparent areas of her body, Nathan's blood after being stabbed and the interior of the artificial brains.



Number of screens - opening weekend: 4



Number of screens - peak number: 2,055



Box office figures: $36.9 million


Issues raised by media ownership in contemporary media practice
Two small companies, Film4 - a British company owned by Channel 4 Television Corporation, and DNA Films - also a British company and actually one of the most successful production companies located in the UK, were responsible for the making of Ex_Machina. Compared to different film companies, these two really are very small and very impressive considering the quality and success of the film. The size of the companies would obviously have a big impact on the number of resources and quality of the technology available for the companies but this did not affect their success. Both of the companies are very good at what they do. Neither of them are global or really successful in many other countries but each of them have been very successful in their own way, having been behind some very big and successful films for example; one of DNA's most popular films was Love Actually. The film only had a small budget as they are such small production companies however, that does make it more likely that they would've used the money they had effectively and cover what they needed to. Sometimes the work of bigger companies can often have an affect on the overall look of the film and can make the audience less interested as they pre-judge the companies by the quality of their latest work.

The importance of cross media convergence for institutions and audiences
Universal Pictures, they are able to use their name and power to get the word out there about the film and get it on as many screens as possible. They were behind the advertising for the film and released the trailers for the film in order to spread the word and get their audience interested. Both Film4 and DNA Films are small production companies, if they worked with a small distributor then the film wouldn't get anywhere and it wouldn't be as successful as it was. By working with a big distributor like Universal Pictures it is more likely that the film will be more widespread and generate a bigger audience than it would with a small distributor. Universal Pictures have an advanced understanding about the film industry and what audiences like and don't like. In order to minimise the risk of a loss, they will be careful with how many screens they choose to show the film on. Universal helped finance the film in exchange for worldwide sale rights. However, after the film was finished, Universal decided that the film was too quirky for a big studio release. They knew that it wouldn't work in the way they thought it would so tried to sell the rights to somebody else. Eventually the distributor A24, known for working with indie films, picked it up and put it in cinemas in the US. Initially the film was only shown on 4 screens but just a week later that number had raised to 2,050. This is a clear example of how successful the film was in the US box office as it made such a significant jump.

The technologies that have been introduced in recent years at the levels of production, distribution, marketing and exchange
Ex-Machina only had a small budget so they couldn't spend a lot of money on special effects and green screens during production. Also, they were working with small production companies who just didn't have the access to high quality technology like some other bigger production companies would. All of the special effects were added in post-production. This meant that they had to prepare for this during production knowing that they would have to edit it later to create the effect they wanted. An example of this is the appearance of Alicia Vikander's character who is a robot with a transparent middle section. In order to add in this transparent effect later on the production team filmed the scenes both with and without her to capture the background behind her. When it got to the stage of post-production they rotoscoped her hands and face, the main features they wanted to keep, then digitally painted the rest of her body and restored the background. This then completed the final look of her with features of both the scenes with her, without her and the post-production effects that digitally painted the rest of her body on. They didn't use any tracking markers during filming, they just relied on camera and body tracking systems to transfer to the robot's CGI movements. The entire film was filmed in digital, which is a cheaper way to film especially for distribution of the film because most cinemas have the technology for digital films instead as that is the format most companies film on.

The significance of proliferation in hardware and content for institutions and audience
To make the film available further after the film has been released in the cinema the distributors have to work to find ways for the film to be released that fit in with what modern audiences want. Modern audiences are more likely to stream a film online or through an app with an online subscription than actually going out and buying the film. Films are still released on DVD as there are still audiences that buy them in this format and there are some people who won't use streaming services. If they don't use services and formats that fit nearly everyone then they are at risk of losing a chunk of their market. The film is available on Blu-Ray, DVD, Amazon Video, iTunes, Google Play, PlayStation Video and YouTube. They have ensured that the film is available on a number of different services so that nearly anyone could go access to the film if they wanted to.
The importance of technological convergence for institutions and audiences
The main marketing campaign that the promotional team ran was on Tinder. They created a profile for Ava, the robot in the film, using pictures of Alicia Vikander. The campaign was launched at the South by Southwest Festival where the film was screened. Ava was matched with other Tinder users who could get to the festival. In the conversation she would send them to the Instagram handle that they thought was hers but was actually promoting the film. The idea behind this was to engage with a younger audience by using an app they may have and interacting with them directly. It was important for the team to reach out to their audience with a medium that suited their target audience.
The issues raised in the targeting of national and local audiences (specifically, British) by international or global institutions
The promotion team had an issue with the big marketing campaign they launched on Tinder. The campaign was met with mixed responses, it did well and proved to be effective but most people had more negative views of it. Many people described it as being 'counter-productive', 'an invasion of privacy', 'trolling' and 'trickery'. Even though it was effective it didn't get the best response from the audience they were targeting which doesn't make it a very successful campaign on the whole. Another issue with this is that it only targets audience members who were in that area, which is only a small area, so even though the campaign may have been successful in general it wouldn't have targeted a large audience on a national basis.

The ways in which the candidates' own experiences of media consumption illustrate wider patterns and trends of audience behaviour
I think it's a definite fact that audiences, specifically younger audiences, are more likely to watch a film streamed online than they are to go and see it at the cinema. Often there are a lot of films that we may be interested in but not enough to pay to go and see it at the cinema or maybe it isn't on at a cinema near us and we don't want to travel. The thing that audiences like most about streaming services is having the ability to watch on the go or from the comfort of their own home, they are able to watch it on their phone/laptop without having to use their TV. I think it's important to ensure films are readily available online, as this is where modern audiences are more likely to watch it especially if the film is shown on a limited number of screens.